![]() Sample problematic 10bit H.265 files shot with the Fuji X-T4 and Panasonic S5.A professional fix for BT.601 / REC.709 color space mismatch.Detailed 20+ page user guide with important advice and fixable settings.Includes a Cine version of the Dynamic Range Enhancer LUT, which improves color and takes the edge off digital media.Dynamic Range Tester: Confirm whether or not your NLE & camera combination has the problem or is good to go.Any overall gamma issue resulting in less dynamic range.Crushed blacks on both Mac and PC with GPU accelerated Display Color Management. ![]() ![]() Clipped highlights in HEVC H.265 and H.264.HEVC (H.265) and H.264 destructive shadow clipping in Premiere on Intel Macs with hardware decoding and in some NLE versions on Windows.The BT.601 -> BT.709 LUT included in the EOSHD Dynamic Range Enhancer fixes the problem with all files that use the BT.601 colour space for video recording, such as the Fuji X-T4, X-T3 and more. Every color and tone in the shot is shifted. Greens lose subtle minty blue tones and turn towards brown. Skin tones become mashed together and shifted to orange. This causes a color shift which is especially noticeable in skin tones. Most NLEs have a default timeline which is Rec.709 and ignore the BT.601 metadata of the H.264/H.265 camera file. Some cameras such as the Fuji X series and Canon 1D C record video using the BT.601 color space. In addition there’s another interesting technical fix in the EOSHD Dynamic Range Enhancer for H.264/H.265. Includes BT.601 color space conversion LUT
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